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This maybe doesn't help you much but I personally don't touch the attack or release that much in a compressor. In reality, ... One approach is the use of both fast-acting and slow-acting compression in the same hearing aid, but let each dominate the overall processing depending on the listening situation. From what I understand so far regarding compression you would use a fast attack and release on something like a snare drum so it just affects the transient of the snare without really affecting the rest of the snare sound. In theory, fast attack and release times are desirable. The compressed signal with a slower attack will add the missing punch and energy. I understand this but when I consider it, I can't really think of what I would need a slow attack … If I want fast compression I just use distortion(s) When I want slow compression, I use actual compressors, and when I want something that's somewhere in between, then I might use limiters. The release time was 10 ms in the fast compression condition and 500 ms in the slow condition. Slow Attack Time – Slow attack time emphasizes the consonants of vocal and make it brighter, add articulation and clarity in the vocals. Hot Tip: EQ the compressed signal. The BSS in "fast" attack mode will stomp any out of control source and can also do the modern, super squashed snare sound that fits a lot of the popular music of the moment. Apply some light compression on your dry signal if you need to. The third condition was linear , which used the same maximum gain values as used in the compression conditions, but a compression ratio (CR) of 1:1, that is, no compression. The BSS in "slow" attack and "fast" release sounds very nice on lots of different sources. Note: a great feature that many plugin compressors have is … When we set up the attack time above 500ms you can feel the vocal is like spitting out the words. Really compression on the parallel track (fast attack, slow release, medium ratio) can add a certain impact to an otherwise fat snare. You can set it to 1ms to 10 ms for slow and soft vocals. Fast attack time is perfect for slow genre vocals. Slow Attack; Fast Release; Why it works: You don’t have to worry about losing your dynamic range because the drier signal retains all the body and dynamics. Since compression affects the envelope (attack, decay, sustain and release) of a sound, ... compress the duplicate track with fast attack, fast release, low threshold, ... One of the best ways to learn to hear the difference between fast and slow attack/release times is to play with these parameters on your own.

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