It is used to give a sense of "glue and punch" to the mix, creating a sense of cohesion between the various tracks. After all, some great mixers swear by using mix-bus compression, while others prefer to keep the mix bus pure. A stereo optical compressor followed by a discrete stereo VCA compressor so that you can truly tackle any task from recording any source to making your mix buss snap with this single machine. Mix bus compression is the act of mixing through a compressor on the master output, although the term is commonly used today also to refer to sub-mixing sets of instruments on an auxiliary bus as well, such as drums. The analog button turns on and off the analog modeling, giving you some subtle options in how clean and warm the audio sounds. There are three ratio choices; 2:1, 4:1 and 10:1. Master bus compression is used both when mixing and mastering tracks, but with so many compressor options available in plugin form - including a host of classics such as the SSL Bus Compressor, API 2500 and Neve 33609 - the temptation is to go full-tilt in search of … The SSL G-Master Buss Compressor is easy to set and is adept at all types of mix bus compression. Many people think it's tube-based, but it's all Class A/B discrete solid state with hand built circuitry of the highest grade. There are also many misconceptions about how and why mix-bus compression is used, and if used incorrectly, it can diminish a lot of hard work. Mix-bus compression can be a confusing topic for inexperienced mixers and engineers.
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